Wednesday, 18 February 2015

Slow progress of the transformation the Alien derelict ship into an Egyptian tomb frieze representation

leading from   
Exploring creatures and structures from the Alien film series
in relation to Ancient Egyptian symbolism as a tomb mural

Slow progress of the transformation the Alien derelict ship into an representation that ought to be found on an Egyptian tomb
a) Slow progress of the transformation the Alien derelict ship into an representation that ought to be found on an Egyptian tomb , as a part of a much larger image. The hammer tip has been transformed into the head of a Typhonian beast found on a certain Was-Sceptre, said to represent one of the beasts of the god Set. Also to be noted is that the Typhonian beast has a tale like a for so maybe the other engine tip with its two protrusions at the end might partially the fork tip but there might also be the imagery of a Horus like hawk facing away from the tip. Another Space Jockey like entity has been added, and perhaps its representation will change. Meanwhile the first Space Jockey like entity has had its body extended.

b) Working out a way to go further with this whole picture does seem to be a very confusing to the point that attempting to have a clue as to what to do next is almost not very useful. Solutions from the aether come slowly, waiting around for them to come might not be advisable.

c) See Influence of was-sceptre on the design of the tip of the derelict's engine at the Alienexplorations blog


Monday, 9 February 2015

Reveries of Alien after
"As Above, Below" and "Pyramid"

leading from

a) I start thinking about movies such as "As Above, Below" and "Pyramid" which are these found footage type movies although the latter began to drift away from the concept slightly, I am probably thinking about it in terms of Prometheus. What it we were dealing with an underground maze that might be rather regular as Paris underground passages and Egyptian tombs might go, but eventually some strange relief turns out to be a functioning control panel that might as well be a stone version of the sort of controls that you would find as something as basic as in let's say the Millenium Falcon from Star Wars.

b) The movie "Pyramid" featured an Anubis that had become a monstrous thing combined with the idea of an Ammit from the Egyptian Book of the Dead that would devour the souls of those whose hearts weighed heavily with guilt. One thing to know about the painting that the original Alien was based on, the design was a combination of various thing, much of which came from symbolism from the Egyptian book of the dead and anything else that turned up on a tomb wall, part of this was the Egyptian mummification ritual image featuring Anubis mummifying a human whose body lies upon a mummification Lion couch. So I suggest that in light of that, a few years ago I came to have the idea that Anubis had become the alien out to capture and mummify his victims for their voyage on the barge of a million years. Those spores at the bottom of the derelict ship were in some way the transformed people of another civilisation that were on a journey through eternity.


Anubis and Ammit from the Weighing of the Hearts scene in 
the Papyrus of Ani version of The Egyptian Book of the Dead
c) Faded memories of having read the Alien: Engineers script by Jon Spaihts left the scene probably the scene featuring the holograms of the engineers transformed into mutated memories of reading about orrery scene as something very vague like brief dream like ghost composed of spinning glowing globes leading people on as a willow-the-wisp of sorts.

d) I began to work on a doodle of an alien, with the face extending from the front of the face and so on and it wanted to become perhaps like a jet fighter or a rocket ship that travelled through space. And this thing would shed off it's mask and propulsion unity as an organic suit. I wondered how this thing would fly through space. I thought vaguely about the Mi-Go of H.P. Lovecraft's Cthulhu mythos and how with wings they flew through the "aether" of space. I also had an idea for a creature that would like a warped spacesuit with an elongated space helmet bubble and the elongated jaws and teeth filling up the bubble which stretches with the jaws as they open. Perhaps the space helmet becomes the outer skin.

Sunday, 8 February 2015

Alien Scenario Thoughts

leading from

a) This is a continuation regarding thinking about  an Alien type scenario as a long winded exercise. It usually comes through watching another movie and thinking that this could be turned into an Alien movie. I'm not much interest in creating fan fiction but indeed looking at the possibility of having ideas, how ideas form in the mind, and this in a strange obsessional way comes back to Alien.

b) After a long journey of thoughts, my creativity decided to go with the idea of having the main character take a flight in a ship and go to sleep and wake up later only to discover that the ship that he has been sleeping in has suddenly transformed into something else. The realisation comes that we're taking this story back to the idea of a concept that I had some years ago, a bunch of spaceships that have been melted together. There was the idea of Chris Foss spaceships melting into one psychedelic blob, and components from one ship turning up within the mechanisms of another ship from a completely different civilisation and when you finally think in the most alien of ships, an Earth ship's serial number turns up. This place becomes an aggravating part of the subconscious mixing room.

c) Unfortunately this also included the idea of the Predalien being brought back into the story as the main alien, complete with chainsaw tail which I have thought about for some years since my dislike of the film Alien Vs Predator. I wondered how this would be included and if this would somehow involve components of the scenario Texas Chainsaw Massacre. I thought about perhaps there was a forest underneath a dome in the depths of space and this creature running around blending in with the surroundings in the manner of a chameleon. Perhaps the need to put Aliens and Predators in another movie and have them merged together is always a failure.

Monday, 19 January 2015

Exploring creatures and structures from the Alien film series in relation to Ancient Egyptian symbolism as a tomb mural



a) Sketch of an idea for a Egyptian tomb mural to explore the various alien creatures and structures in the context of their possible origins in Ancient Egyptian symbolism.

The million year old derelict ship becomes the god Ra's "boat of a million years". Perhaps also it is on the verge of transforming into an Eye of Horus. Upon it rides a space jockey with a slightly less than humanoid body.

( Also see Derelict experior inspired by "Barge of a million years"?  at the Alien Explorations blog)

The Alien becomes the Eye of Horus, and here are two placed opposite each each other as in Egyptian wall paintings. The alien in the egg becomes perhaps a scarab or a sun or both merged into one. 

( Also see Vestigial remains of the Eye of Horus at the Alien Explorations Blog) 

And on the far right, a human becomes a humanoid space jockey. 

On the far left, a Sokar Funerary Procession, priests have been replaced by a group of Engineers from Prometheus, the Sokar Funerary Barque has become the Space Jockey in his seat but upon it has been placed the head of a bird in place of the Space Jockey's telescope, perhaps vaguely reminiscent of the head of the bird flown by the main character of Moebius' Arzach, although Giger had in an earlier sketch tried to work out a bird of prey's beak pointing down in the face of the Space Jockey as the telescope.

( Also see: The Sokar Funerary Barge at the Alien Explorations blog)

b) A dream about meeting Giger the other day coincided with me making "the boat of a million years" connection later in the day although I thought about the idea of it being loosely a bit like an Egyptian boat on its side earlier.

c) I think also there has been some interesting discussion though by the likes of author William Henry exploring the idea that the Boat of a Million Years represented some sort of intergalactic wormhole.

d) See also: Slow progress of the transformation the Alien derelict ship into an Egyptian tomb frieze representation and Exploration of Egyptian mummification lion couch with mummy turning into a monster
 

Friday, 2 January 2015

PROmethearZAC III

PROmetherZAC Stage 3. Rough visualisation of the space jockey
and chair merged with Moebius' character Arzach and his bird and
attempts to dream up a connection between the two since Ridley
Scott found inspiration from Moebius' comic books when he made
Alien and indeed Prometheus. The patterns on wings of the beast
have been loosely inspired by the patterns on the treet trunk of the
tree of life in Pakal Votan's tomb lid. This update made use of a
Wacom Cintiq.

See also PROmethearZAC II